Showing posts with label Feminist issues and literature. Show all posts
Showing posts with label Feminist issues and literature. Show all posts

Saturday, September 9, 2017

How the media frames female politicians?

When you look back on politicians over the past 20 years or more they seem to framed in a particular way, Natasha Stott Despoja was seen as a pretty young thing who wore Doc Martins, Florence Bjelke-Petersen was the pumpkin scone queen of Australia, Meg Lees and Amanda Vanstone were the matrons.

As Julia Baird argues early in her book, ‘we watched prominent female politicians topple like ten pins under a barrage of media criticism. One after the other, with careers destroyed, credibility damaged, prospects of leadership slim or non-existent: hyped as heroines, the cast as villains or fools, or just made invisible. …. In many cases, the women were partly to blame or complicit in their demise, yet the bias that frequently emerged in the media made their transgressions grotesque, their mistakes almost sinister – a hall of mirrors that exaggerated their flaws that made them lethal’ (2004,4). Her message seems to be that women interested in politics have to be very, very careful about how they work with the media. If they want to play the political game they have to know the rules and play every move with caution while understanding that thriving in such an environment you have to be ultra media savvy, well prepared and be in the game for the right reasons.      

Some of the examples Baird looked at were images that were carefully scripted and actually worked but the public image of others were epic failures, not because they weren’t prepared but often lacked the policy substance to be taken seriously.

Other of these images came down to the perpetuation of long held stereotypes that never seemed to go away. But Julia Baird’s astute analysis really did look at the portrayal of women in the media in great detail and it highlighted the need for more study to be done in this area to get a more accurate picture of how women are actually portrayed.

While she raises many great points, Baird gives a warning about playing the gender card. For whatever short term gains you might think it gives you, in the long term it has no value. As she says, ‘playing the victim is one thing; being treated unfairly is another’ (200, 247). Just because someone is analysing you and/or work in ways that you perceive as being overly harsh, it doesn’t always mean that they are doing it because you’re a woman.

Baird gives nine tips for women in public live and needing to work well with the media. They are so good that anyone with a high profile and even a rising one could benefit from remembering them. They are:

1)    Establish a serious profile, as someone who is policy-oriented and has the respect of your colleagues
2)    Avoid the celebrity shots, posing in ball gowns or bikinis  
3)    Steer attention away from your personal life
4)    Avoid a personality cult
5)    Cop criticism   
6)    Understand that Journalists are not your enemies. Nor are they your friends
7)    Do not assume that female journalists will be more sympathetic because you’re a woman
8)    Try, in the midst of it all, to be yourself. Talk directly; answer honestly.
9)    Beware the gender card
 
(2004, 241-246)

Media Tarts, how the Australian press frames female politicians should be required reading for anyone who is thinking about running for any kind of public office. It would make interesting reading for those who work in reporting on those who 

Sunday, May 28, 2017

Seeking a literary refuge!



There is something especially geeky about writers’ festivals. Days and days full of sessions with either a writer discussing their book or a panel of authors discussing a particular issue.

You come away feeling so inspired and all you want to do is to spend days and day just reading. Stuff everything else, stuff real life and adult responsibilities, I just want to read!

This year was no less perfect than every year before. The venue was perfect and so was the weather. The piers at Welsh Bay did seem a little crowed this year but that was just down to my perception.

My highlights were seeing prolific Feminist Author Roxanne Gay and hearing her talk on gender, politics, body image, race relations as well as David Marr and John Safran speak about the Politics of Fear.


Clementine Ford and Robert Jensen were part of a great session chaired by Catherine Fox on gender that covered everything from masculinity, male privilege, porn, men and feminism and women in public life, including the internet. In true style, when Clementine Ford’s baby work up from it’s nap she continued to breast feed it, etc. while carrying on talking without pause.

 

Another lovely session was a tribute to veteran broadcaster Mark Colvin whose life was cut way too short earlier this year. It interesting to hear about his early early life and work as a foreign correspondent.


There were many more sessions that I couldn’t get to but for those I’ll just have to be content to hear them in podcast mode.

I have to wait until next year, when the Sydney Writers’ Festival will again be my refuge and happy place.

Thursday, May 18, 2017

Lets all be feminists

Based on Chimamanda Ngozi Adichie’s TED Talk, her book is about her life from a feminist perspective and straight away stated that feminism is limited by stereotypes.

It is a lyrical book that could easily be a discussion over an evening meal or a glass of wine.

We Should All Be Feminists gives Chimamanda Ngozi Adichie a context that helped me to understand her books better. Like many people who straddle two cultures are influenced by many ideas and this sometimes causes internal conflict.  She writes about her early life in Africa and it comes into conflict with Western attitudes that she was exposed to while studying in America. She cites being called ‘Un-African” and a “Man Hater” because of her Western ideas that she incorporated into her worldview.


These are examples of how feminism is constructed by external factors. As Chimamanda Ngozi Adichie writes, what it shows is how that word feminism is so heavy with baggage: you hate men, you hate bras, you don’t care about your appearance, etc. None of these labels are flattering or positive. But one of these labels is true, Feminists are angry because genre inequality is a grave injustice.  But as she states, the good news is that anger has a history of bringing about positive change.


Apart from being a great novelist, Chimamanda Ngozi Adichie is a strong woman with great ideas and who’s opinion is vital in the public sphere.   

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